The course focuses on sociological theory during the period between roughly 1945 and 2000. It will discuss what is considered to be central theoretical developments and problems and also open up for discussions on what has been seen as more peripheral theoretical perspectives. The course aims both at orienting participants in different theoretical areas and traditions, and make possible in-depth studies of particular fields. The course aims at enriching participants ability to relate the development of sociological theory to relevant social, cultural and political contexts. The course will be based on mandatory readings and discussion seminars as well as on readings chosen by the participants according to their interest and in accordance with teachers.
The course is offered in cooperation by the Departments of Sociology in Copenhagen, Lund and Gothenburg. The instruction language is English.
It follows a group of factory workers who go on strike in an attempt to block the relocation of their workplace by its crooked owners. Vasco Viana was the cinematographer and the film was shot on 16mm. Cláudia Oliveira was the editor and João Gazua handled sound. According to a statement from Directors’ Fortnight artistic director Édouard Waintrop, the film “dissects and riffs on the subject of de-industrialization, unemployment, and the workers’ struggle”. Source
Brexit, Trump victory, both are fuelled by economic changes, but also the decline of once-cherished institutions, including family, church and labour unions, all contributing to a fear that the world is changing in ways that workers, or else their children, cannot keep up with. “There used to be a lot more middle-class jobs,” said Clyde bleakly, another concrete ladler (source). “These days there are just people high up working on computers and a lot of guys working in Denny’s.” Hence, Not only is capitalism creating a lot of pointless jobs, but making disappear “classic jobs” or middle-class jobs.