It follows a group of factory workers who go on strike in an attempt to block the relocation of their workplace by its crooked owners. Vasco Viana was the cinematographer and the film was shot on 16mm. Cláudia Oliveira was the editor and João Gazua handled sound. According to a statement from Directors’ Fortnight artistic director Édouard Waintrop, the film “dissects and riffs on the subject of de-industrialization, unemployment, and the workers’ struggle”. Source
Brexit, Trump victory, both are fuelled by economic changes, but also the decline of once-cherished institutions, including family, church and labour unions, all contributing to a fear that the world is changing in ways that workers, or else their children, cannot keep up with. “There used to be a lot more middle-class jobs,” said Clyde bleakly, another concrete ladler (source). “These days there are just people high up working on computers and a lot of guys working in Denny’s.” Hence, Not only is capitalism creating a lot of pointless jobs, but making disappear “classic jobs” or middle-class jobs.
Who could attend this conferences! I find it very interesting for several reasons. First of all, because of my growing interest on social photography and visual sociology. Secondly, due to the theme of the conference, i.e. post-industrial societies, since it is connected with my dissertation on a post mining region. Bellow you can see a short description of the event and a preliminary program:
The International Visual Sociology Association 2014 Annual Conferencewill take place June 26-28, 2014 at Duquesne University (Pittsburgh, Pennsylvania US).
Post-industrial societies require new forms of visual imagination and research. In this context visual researchers create new ways of capturing and interpreting our constantly transforming social life, and construct alternative epistemologies that dialogue with increasingly broader audiences and disciplines.
Further details here