Ouburg, photographer who prefers photographing “other people above all”. I like the way he expresses why he has predilection for black-and-white photos.
In many occasions, colour distracts the spectator´s attention while black-and-white make it easier to concentrate on the topic.
Although he doesn´t discard colour provided that it adds something to the image.
Source and more photos [spanish]
Who could attend this conferences! I find it very interesting for several reasons. First of all, because of my growing interest on social photography and visual sociology. Secondly, due to the theme of the conference, i.e. post-industrial societies, since it is connected with my dissertation on a post mining region. Bellow you can see a short description of the event and a preliminary program:
The International Visual Sociology Association 2014 Annual Conferencewill take place June 26-28, 2014 at Duquesne University (Pittsburgh, Pennsylvania US).
Post-industrial societies require new forms of visual imagination and research. In this context visual researchers create new ways of capturing and interpreting our constantly transforming social life, and construct alternative epistemologies that dialogue with increasingly broader audiences and disciplines.
Further details here
“Borderlands: The Edges of Europe” is a collection of analogue photographs representing the people and places along the borders of the European Union, developed with the purpose of creating an archive of images narrating life at the edges of Europe.
Since 2011 Leonardi has undertaken extensive walks along the land borders of the European Union. Proceeding slowly on foot and following methodically the boundaries traced on maps, she has built up a distinctive experience of the European frontier that includes unplanned encounters with its inhabitants.
This series focuses on the connection between people and territory and the significance of trans-national and transcultural identities, exploring the relevance of European identity and its relationship with concepts of home and belonging, memory and territory and how these have been shaped by events.
This project concentrates on land borders, and the concept of geographical Europe is juxtaposed to that of political Europe/European Union. For example, it does not include the borders of Switzerland, which is not EU however does not have restrictions towards EU citizens.
Source and further info: http://borderlands.eu/
ABOUT THE PROJECT
When I got to New York, I briefly documented the lives of many Galician families there. At the same the time I was looking for a project to document more widely during the year.
I photographed life in the Bronx, street parties, the subway, and it was not until I visited the Fragas at least a couple of times that I realized that my big project was going to be about them.
The Fraga Family is a story about the world. It is a project on migration and adaptation to another country over decades.
When I entered the Fraga home, an apartment of about sixty square meters, I found three generations of three different nationalities living there.
Grandpa Carlos, a Galician who had emigrated to Cuba in 1925; his Cuban daughter, Maria; Maria’s husband and cousin at once, Pepe, Galician who had lived in France and Cuba as well; and the two sons of these, Richie and José, one hundred percent Americans.
I lived with The Fraga Family three days a week for eight months, shooting their prívate lives. I witnessed moments of their daily life and important events, such as when José Fraga, 27 and barely Spanish speaking, an important lawyer in a Manhattan Law Firm, could finally move out after paying off his law school loans.
This story now being exhibited belongs to the first part of a larger project that will be completed in the spring of 2014, photographing the Fragas 15 years later.
Have you heart of similar cases? Let us know!
Source and further info: http://www.verkami.com/projects/6370-the-fraga-family